Teo Essay free essay sample

Toe Roberts HAS for health profession and human services 5-5-13 Music Miles Davis was one of the best Jazz musicians In the history of Jazz. His full name is Miles Dewey Davis Ill and was born on May 26th, 1 926 In Alton, Illinois. Unlike many other notorious musicians Miles grew up in wealth His father was a superb dental surgeon in East SST. Louis. He began playing the trumpet in his early teens and immediately excelled. Davis played in a couple of local SST. Louis groups and in his high school band. HIS high school music teacher advised him to play without vibrato.There are three types of vibrato for trumpet players: lip, diaphragm, and hand vibrato. To perform a lip vibrato a trumpeter must move his lips in a chewing motion while playing longer notes during a solo. Similarly, a diaphragm vibrato is executed by varying the air supply with the muscle below your lungs. We will write a custom essay sample on Teo Essay or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Finally, the hand vibrato Is carried out by moving the trumpet lightly In circles while holding long notes. Due to his fathers wealthy occupation, Davis was sent to New York City in 1944 to advance his music at the Jailbird School. Originally known as the Institute of Musical Art,Jailbird was founded in 1905 by Dry. Frank Damrosch. Damrosch was convinced that American students should not have to go to Europe to further their musical education. However, as prestigious as Jailbird was it did not attract Miles Davis. He soon found himself skipping out on school and participating in Jam sessions. These were not Just any Jam sessions though. He found himself playing with the likes of Charlie Parker and Dizzy Gillespie. Under these two, Davis learned as much as he needed to know. Parker and Davis recorded together fairly often from 1945-1948.Early on Davis playing was very timid, but he had a very unique musical imagination and tone that carried him. During the summer of 1948, Davis formed his first group which happened to be a note. Jazz greats, Lee Zionist and Gerry Mulligan, were members In the band. Gill Evans arranged most of the music and ended up helping out Miles Davis a lot in his career. The group was known as the Birth of Cool. They didnt stay together for very long but their music changed the sound of jazz. Miles Davis was the main contributor in the cool Jazz movement. Unfortunately in the early asss, Davis fell Into the stereotype that crippled many Jazz artists, drugs. He battled with a serious heroin addiction that put his up and coming career on a sort of standstill. Even though drugs brought him down during this period, Miles still was able to record some of his greatest albums. Soon after he kicked the drugs, Davis formed his first quintet. Along with Davis, musicians John Coloration, Philly Joe Jones, Red Garland, and Paul Chambers were the other members of the quintet. This group recorded many very successful records. The four main albums were, Cooking,Steaming, Relaxing, and Working. To finish off the cool era, Davis recorded what is arguably the best Jazz album ever created. The title of the Infamous album is Kind of Blue. The album was created with an Incredible sextet made up of Jazz legends. John Coloration, Cannonball Daydream, and Bill Evans were among the members of the 1 OFF success of Kind of Blue, Davis realized that times were changing and Jazz music needed to change accordingly. He instituted free Jazz and incorporated it into his new quintet. Once again, Davis group was comprised of legends such as, WayneShorter and Herbs Hancock. The new quintets sound was very light and moved from cool Jazz to free Jazz. This quintet also had some key recordings for the career of Mr.. Davis. Live at the Plugged Nickel and Miles Smiles were a couple of their best recordings. Although Davis was enjoying success through his ever changing styles, many of his fans had dropped off after each innovative move. Critics, on the other hand, recognized the brilliance of his music and embraced it. Once again, music had begun to change and Jazz altered its ways to keep up.The rock-Jazz fusion revolution as setting in and Miles Davis was standing in the front lines with his new band. This time Davis had artists such as John McLaughlin, Joe Zanily, and Chick Corer. Davis implemented electric instruments such as electric keyboard, bass, and guitar into his bands. The album Pitches Brew is regarded by critics as Miles Davis last true Jazz album and they often dismiss his later works when talking about him. Towards the end of his career he began to play other instruments and often played with his back to the stage. Sadly, on September 26th, 1991 Miles Davis died due to a stroke.As Jazz .NET on throughout the decades so did artists and styles. I believe that Miles Davis stands alone as one of the most influential and overall best Jazz performer of all time. He was the only one who fought through the different types of Jazz and excelled throughout all of them. Although there might be a three way tie for second between Charlie Parker, Duke Longtime, and Louis Armstrong, Mr.. Miles Dewey Davis Ill is the lone number one. He not only persevered throughout Jazz changes and drug addiction but he also pioneered many of the changes and embraced reality like no other musician had done before.

What Would You Do Professor Ramos Blog

What Would You Do â€Å"When there is no more room in hell, the dead will walk the earth†¦Ã¢â‚¬  (Dawn of the Dead 2004). Dawn of the Dead (2004) I chose the modern zombie for my evaluation because of the sheer intensity of which is displayed in films such as 28 Days Later and Dawn of the Dead. Their insatiable appetite, hording, endless athleticism, in most cases having their only weakness being great trauma to the head, and need to spread their disease to the population; zombies are the most volatile and frightening monster that I can think of. With the modern versions of zombies appearing in Dawn of the Dead, I would easily rate this monster a 4.5 (out of 5) overall. With inspiration from the ‘Godfather of the Dead’, who was George A. Romero, Zack Snyder directed the 2004 horror film, Dawn of the Dead. Romero’s 1978 version truly set the standard for what the zombie apocalypse would become in film, and the few years following the 2004 version, it further raised the bar on how truly frightening the genre would become. While the movies would lack in a lot of the ‘jump-scares’ and unpredictable elements, the zombie horror genre had become an interactive one, giving it horror in its own way, leaving long-lasting images of ‘what if?’. Zombies running, Dawn of the Dead (2004).   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   It’s 2004, and you’re in the sixth grade. Your dad comes home from one of those fabled video rental stores, and upon his arrival, you look at an ominous, yet subtle cover of a DVD, bearing the silhouettes of a large group of people walking with the sun in the background, obscuring the faces, and large words plastered Dawn of the Dead. At the time, I only figured that zombies were the ‘pet rocks’ of the horror genre, disregarding them as slow-walking and boring monsters whose purpose was to fulfill an insatiable appetite that could easily be ended by a protagonist’s strike that took little effort and calculation. The DVD my parents played on our boxy and classical JVC-brand television left me arrogantly expecting calm walks in the park, believing that a protagonist with a gun could easily mow down the seemingly countless, slow undead. The Man Comes Around, by Johnny Cash plays with an intro. With the subtle music playing with a series of shocking news clips within the movie, the legendary country singer utters biblical and apocalyptic references within the lyrics. The calmness of the music is paired with images of pandemonium and the unknown, bringing me to a rude awakening. My arrogance towards the classic versions of the undead quickly turned into fear, as the final lyrics were sung for the intro: And I heard a voice in the midst of the four beasts. And I looked, and behold a pale horse. And his name that sat on him was death, and hell followed with him. (The Man Comes Around, Johnny Cash, 2002) Dawn of the Dead (2004). Actors left to right: Ving Rhames, Sarah Polley, Inna Korobkina, and Mekhi Phifer. My arrogance towards zombies truly preceded me when I was a kid, but this movie left me with nightmares. However, as frightening as they were to me after understanding Zack Snyder’s vision of the 1978 same-named classic by George A. Romero, the same fear piqued the curiosity of personal storytelling, leaving me to spend hours at home and in class, writing about hypothetical apocalyptic events with myself and my friends as the protagonists of a zombie apocalypse. The movie itself revolves around a diverse group of survivors, seeking refuge in an empty mall. While their resources are plenty, they also understand that there are only finite provisions that would only prolong a seemingly inevitable death, realizing also that they also die and reanimate after being bitten by one of the infected. They have to find a way to defend themselves and figure how to escape the hell that has suddenly invaded their lives. â€Å"Fear of the Monster is Really a Kind of Desire† (Monster Culture (Seven Theses), J Cohen) is one I found to be relatable with the idea of embarking on challenges regarding a hypothetical apocalypse where the undead has conquered humanity. I believe the fascination is similar to the feeling of gambling, where you’re given a series of possibilities, where every choice leads to survival or inevitable death, and where the survivors inherit the Earth, where you’re only restricted to your own wit and strategies of survival. The movie felt claustrophobic, but not in the same way that I felt watching other iconic horror films, such as Friday the 13th or Halloween, where there was truly no running from masked monsters, such as Jason, Freddy, or Michael. Although they are equally deserving of respect, the reason that Dawn of the Dead has such a strong impact is because the scenarios give a fighting chance for the individual watching the movie, and brings an interacti ve imagination, where the world is the playground, rather than just Elm Street or Camp Crystal Lake. Instead of remaining a linear story, we realize that it becomes a long series of ‘what would you do?’ scenarios. Art by: Jean-noel Lafargue. Photo representing a zombie within Haitian Voodoo. Folklore involving the undead have been a massive part of most cultures since the beginning of documented civilization. Burial sites of some Greeks were found to have had large rocks pinning their bodies down, with the intent of preventing the dead from rising. Practitioners of Voodoo have also been known for creating toxic concoctions that would give a patient the appearance of being undead, though they do not resemble how we would see zombies in modern popular culture, nor would they be decomposing. (History, 2017). For a long time, we’ve endured the fear of the undead, also being mentioned within Biblical texts, but none of those mentioned in history have been shown to be what modern culture represents zombies as. Many also believe The Bible to have been a source for the imagination of the modern undead we see in movies in the 1900s. With the surge of zombie enthusiasts appearing in the wake of 28 Days Later, Resident Evil, Dawn of the Dead, and many other modern zombie h orror films, many have taken to fan fictions, video games, and Halloween YouTube mob pranks. The craze is understandably one of the most mischievous, but the psychological horror that comes from the idea, not just the movies, have been one that has created much fear of the undead from many. Though the craze has died in the 2010s, I still believe that the most frightening monster this world would ever witness would be the modern zombie we see in the aforementioned movies. The intensity and profane levels of mindless cannibalism and violence, coupled with a pathogen that infects others, as well as their unsuspecting and never-ending athleticism makes them one of the most formidable monsters in the history of entertainment. The only reason I gave modernized zombies a rating of 4.5 out of 5 was simply because zombie movies themselves are not all that frightening to me. Although these films are not scary at first, they leave a sense of despair and hopelessness. If the dead were to walk t he Earth, it would be easy to say that we’d all be doomed, and while it would be the end of civilization, the survivors would be the fortunate who inherit the Earth, if the undead eventually die. What would you do if you woke up to this chaos? Annotated Bibliography Cohen J. Monster Culture (Seven Theses). Print. 1996. Jeffrey Cohen goes in-depth with how ‘monsters’ are in human society, explaining the different ways monsters are integrated with us in culture. How it plays on modern fears, desires, and perception are some few examples he explains in regards to how we’re affected, and how we see ‘monsters’. History of Zombies. National Geographic. YouTube. 2015. https://youtu.be/i12Hdo1q0I8. Since civilization has existed, zombies have played a role in history, referenced biblically, as well as in modern culture. The way we view zombies in modern society is far grimmer than what we viewed in earlier history. This video gives us a good look at the history of zombies, and what life we’ve given them in popular culture. Snyder Z. Dawn of the Dead. Movie. 2004. George A. Romero’s remake of the 1978 horror brings a modern perspective on the zombie apocalypse, maximizing the fear and pandemonium with a heightened intensity, with zombies that are far more violent and explosive in their actions than we’ve ever seen. Zombies that can run, have unheard-of strength, and a dead-end story that leaves the ending up for grim interpretation. This is the zombie apocalypse we fear the most. Vervaeke J, Mastropietro C. Zombies in Western Culture: A Twenty-First Century Crisis. Cambridge Open Book Publishers. eBook. 2017. http://search.ebscohost.com/login.aspx?direct=truedb=nlebkAN=1548737site=ehost-live Modern film-making has spawning countless kids to write stories, creating the award-winning series The Walking Dead, and leaving us almost romanticizing the apocalypse, despite how awful it would be. Why is the zombie apocalypse so appealing? Drezner D. Metaphor of the Living Dead. Social Research. Vol 81, Issue 4. 2014. web.b.ebscohost.com/ehost/detail/detail?vid=0sid=a8c1f534-28e3-4791-b4e9df28c87a9113%40sessionmgr103bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=a9hAN=102354689 Zombies have become huge in modern society, again spawning popular works, and bringing work back from the vaults of George A. Romero, â€Å"The Father of Zombie Film†. With this academic research, we look into the similar aspects of the zombie apocalypse, and how similar it is from how we might look at modern politics, culture, and society as a whole. Khan S. Preparedness 101: Zombie Apocalypse. CDC Public Health Matters Blog. 2011. Preparedness 101: Zombie Apocalypse As just a parody, the CDC is one of the many government organizations that have created a hypothetical guide on what to do in the event of a zombie apocalypse. They cover a lot of the history and methods on how to maximize your survival with basic supplies and tactics.